Winter 2024/2025

Architectural Romance

Words by Andrea Glinn  |  Photos by Nate Sheets

A Spanish Colonial Revival feels the amour with a full-scale restoration and celebration of its idealized style.

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estoring a century-old home to its original glory is an act of love. And of course, love involves more than falling for someone because of their good looks; it is the work that you put into a relationship, the care, the prioritization, the compassion, the doing what is right, that proves the depth of your commitment. The saga of this historic home is a beautiful tale—an architectural romance—involving a passionate new owner, a visionary designer and an amazing supporting cast of tradesmen, fabricators, family and friends.

In the fall of 2020, while Suzanne Brown Mahoney was taking a break from the confines of life in Covid-era Chicago to visit her parents back in Hutchinson, Kansas, she kept eying the Spanish Colonial Revival house next door and soon discovered it was vacant. She began daydreaming about buying, restoring and making the home her own. Smitten with the house, Mahoney dove into researching the history of the home and the original owners, learning facts and anecdotes and growing more enamored along the way. Within several months, she had purchased the residence, and although she had little renovation experience, she was ready to not only begin the restoration but to manage it, overseeing the design and construction throughout the process. Her first task: hire a designer.

When Mahoney met Kali Buchanan, “We immediately hit it off,” she recalls.

She felt comfortable with Buchanan—like they truly connected—and she respected her both professionally and personally; in short, she really wanted to work with her. However, she was concerned that Buchanan’s portfolio had a more modern aesthetic than she wanted for her home. Buchanan assured Mahoney that she understood her desire to honor and celebrate the historic architecture, and to complement it—not compete with it—when updating the home. Trusting her intuition and their rapport, Mahoney hired Buchanan, and the exciting process of design and discovery began.

First, Buchanan had a 3D scan completed of the existing home so that she could virtually verify dimensions and visit the site anytime she needed to investigate a particular aspect of the architecture. Next, she studied how the current layout was not meeting up with modern living and devised a new plan. The main level was to stay largely intact, other than slightly expanding the kitchen and reconfiguring the service stair access to the basement. The second floor, on the other hand, needed a complete overhaul: the his-and-her sleeping quarters and conjoined bathroom had to go, there was no laundry room, the circulation was awkward, and the guest quarters felt like an afterthought. Buchanan chose to eliminate one guest bedroom to allow for the expansion and inclusion of the needed spaces and to function better for Mahoney. And finally—not to be overlooked—the underutilization of the gorgeous, green, golf-course property was a major missed opportunity that Buchanan eagerly embraced. She expanded all of the outdoor living spaces and patios and added a double-faced fireplace, fountain feature and stroll garden. Inevitably, there was also ample performance-based scope due to the age of the home: MEP systems were updated, patios demoed and relaid for proper drainage, doors and windows replaced, and the clay tile roof patched and repaired. This was not a project for the faint of heart.

With the scope identified and the plans approved, Buchanan and Mahoney began to shift their focus from the “what” to the “how” of the design. They knew they wanted their design updates to show a reverence for the history of the home, including the previous homeowners, the Spanish Colonial Revival architecture and the original architect, Robert Law Weed, who was well known for his modernist homes in Miami and abroad. To achieve this, Buchanan paid special attention to the existing materials, preserved architectural details and artifacts as much as possible, and “throughout the process, I asked myself, ‘What would Robert Law Weed do?’ when making design decisions,” Buchanan says. Her thoughtful approach to honoring the history is evident in the simplicity of the spaces, in her restraint of not adding color or new materials frivolously, and in her effort to match and recreate details in alignment with the architectural period.

Despite the interiors being articulated with discipline and purpose, the home feels casual and at-ease. The furnishings and decor are nearly all neutral, “but because the outdoors are so present inside, there is plenty of color,” Buchanan explains. The quiet backdrop—in addition to framing the views to the outside—lend a contemplative and intentional feeling to the space. The rooms are not overcrowded with furniture, nor is the space overly finished. Patterns and colors do not scream for attention. A thoughtfully placed antique—of which Mahoney has many—or a beloved musical instrument has space to breathe and adds a sense of significance, enhanced by the simplicity of its presentation. The home feels open and inviting, layered with texture and steeped with meaning.

Throughout the home, you can feel the loving intention to do what is right and stay true to the essence of the project. The great room could be a church, with the double-volume ceilings, altar-like hearth and a viewing balcony at one end. Buchanan emphasized the ceiling height with a period-appropriate, tiered iron chandelier, and Mahoney found an antique oil painting to go over the fireplace that perfectly captures the mood. Adjacent to the great room, the trophy room—named as such by the original homeowners in the 1920s, as the wife was an acclaimed golfer who holds the Kansas state record of being named the women’s amateur golf champion six times—features an original, restored stone fireplace, “salt block” terracotta tile floor (rumored to be from the local salt mines), hand-hewn beams, pecky cypress window shutters and two dove ornaments, which hang from the ceiling on iron medallions.

“Doves were traditionally used in Spanish architecture as a good omen, and to bring peace and good fortune,” Buchanan says.

In the kitchen, an antique cupboard that Mahoney acquired in Chicago is thoughtfully placed, with custom, gray-scale cabinetry flanking it on either side, creating a decorative shrine of sorts that recalls the idea of past meals created and shared in the home.

The same thoughtful design approach was taken outdoors as well. A dramatic, arched doorway was added to the breezeway and adorned with a custom, decorative iron gate in harmony with the style of the home. The oversized opening frames the view of a sweeping new chimney and invites visitors into the outdoor living space. The back patio was expanded significantly and new stucco retaining walls were added. The new hardscape more appropriately fits the scale of the home and allows Mahoney to easily host large groups of friends and family.

Although almost every aspect of the home has been touched in this renovation—whether expanded, updated or reimagined entirely—and new elements have been added, the home feels as though it has always been like this. Or, that in becoming what it is today, it has finally realized its full potential, which is what we hope for those we love. It is easy to imagine Casa Encantada, as Mahoney has named it, being loved for another 100 years.

 

 

Original Architect: Robert Law Weed, 1925

Architectural and Interior Designer: Kali Buchanan Interior Design, @kalibuchananinteriordesign

Resources:

Interior Designer: Kali Buchanan Interior Design 
Custom Steel Windows and Doors: Tenworks (Wichita) 
Paint: Snowbound by Sherwin-Williams 
Office Rug: Lulu and Georgia  
Antiques: Steeplechase Antiques (Chicago) 
Cabinets and Custom Steel-and-Glass Shelving and Wardrobes: Gillpatrick Woodworks 
Windows: Andersen  
New Fireplace Mantel and Hearth: Kansas Masonry; US Stone Industries (Designed by KBID)  
Countertops: Carthage Stoneworks 
Lighting: Circa Lighting; Spanish Revival Lighting; Savoy House Lights; Hinkley Arti; Pottery Barn; Currey & Company 


Outdoor Furniture: Terra Outdoor; CB2; Williams Sonoma
Tile: Ann Sacks; Daltile 
Appliances: Wolf/Sub-Zero 
Kitchen Faucet: California Faucets 
Kitchen Sink: Clayburn 
Hardware: Armac Martin 
Bathroom Plumbing: Waterworks 
Custom Copper Sink: Thompson Traders 
Guest Bathroom Freestanding Tub: Victoria + Albert 
Guest Bathroom Plumbing Fixtures: Kohler 
Laundry Sink: Blanco 
Laundry Faucet: Hansgrohe 
Custom Cast Stone Columns: Kansas Masonry 

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